Tuesday 4 January 2022

2021 tick .....


For many, and I suspect most of us, it is wonderful to be saying goodbye to 2021 and welcome this New Year which we hope will be brighter, more gentle and more connected.  By that I mean that we have the opportunity to connect with those we have missed over the last couple of years, or places that we miss and have been unable to visit because of restrictions.  By no means do I think our troubles are over with this pandemic, but I hope this year allows us all more freedoms to spend time with those we love, and enjoy the places we love to spend time.

This drawing below is called 'hope' which is apt I think.  So many of my musings have begun with I hope this or I hope that.  This was not the only inspiration for this work.  I drew upon Emily Dickinson's poem

'Hope' is a thing with feathers - 

that perches in the soul

and sings the tune without the words

and never stops - at all.

 'Hope'

This series of five drawings are all done on architectural drafting paper which gives them a luminesecence which you cannot tell with the photographs.  And they are quite large - 900mm x 700mm.  It is one of those bodies of work that comes from that place where you let go and something else takes over.  I do not often work with this kind of emotive work, never comfortable with wearing my heart on my sleeve, and it is a deviation from the work I had been doing largely last year.


'Gathered'

I am hoping (there I go again!) that the work speaks for itself and speaks about the various aspects of feeling vulnerable and protected simultaneously over the last year.

'Sheilded'


'Solace'

I spoke in my last post of the exhibition 'Red Threads - Holding and Connecting' which was being held in Fiona and Barry's wonderful Deckled Edge Press Studio and which you can read about in Fiona's post.

'Held'


I am happy to say most of my work, large and the smaller ones too, found its way to other homes.  I had very lovely feedback from visitors to the small showing that they just stood in front of my work and gazed.  Lovely supporting words to hear. I think every artist wants to know that people take the time to really stop and look at their work.

Though there is much to say I am now preparing for teaching a few keen artists who want to explore the art of making books.  The studio is ready for show and tell next week and soon thereafter we will commence.  It will be great fun for me to revisit the techniques and design of artist's books as I have not made any for some time.  

Wishing everyone a much happier year this year.  I will add that my year was pretty easy and not that much different from other years.  We live on ten acres where every day I look down through the trees and along the coastline of the Sunshine Coast and am so thankful to live in such a gorgeous spot.  Not too difficult to isolate here - though I have missed that steady connection with family and friends.










4 comments:

  1. these drawings are so beautiful, holding the deep and light of Emily Dickenson's poetry!

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    1. Thank you Mo. You are amazing in keeping up with not just looking at but commenting on my infrequent, though hopefully now more regular, posts. I always really appreciate your kind and thoughtful words.

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  2. to be by the sea must be a wonderful source of inspiration

    I'm glad to hear the past year was kind to you and very much enjoyed "visiting" the Red Threads from afar ... I do hope you'll continue to post here from time to time as I very much enjoy your posts

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    1. Thank you Liz. It was indeed a lovely gentle exhibition which as much as anything, spoke of the red threads between the four of us who were exhibition together - the constant sharing and support of one another when visiting wasn’t appropriate. And the sea - absolutely so lucky to be looking over it and within half an hour of being beside it. I love the ocean and always fill my soul when I am nearby.

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