Friday, 14 February 2014

a letter a week 2014 ....

It is already half way through February and I have finally made some progress with the ALAW project coordinated by Fiona Dempster.  This is my third year, though I confess to only doing one of the Alphabets last year.  This year we have a free choice alphabet and one centred around the idea of 'Place'.

I have begun with the free form alphabet and am waiting for inspiration to drop in regarding the 'Place' alphabet!

I have done the first eight weeks A to H ..... The backgrounds for my letters are all from engravings of mine and the letraset letters, are those left behind by my father who was an architect.  It gives me a wonderful sense of him to be using these letters.  I couldn't find them, thought I had thrown them out and then yesterday whilst looking for something completely different, there they were secreted away with beautiful old rulers, set squares and drawing sets.  I was thrilled.











Thursday, 13 February 2014

meander at mona .....

Mysterious, marvellous, magical Mona.  I had heard such a lot about this gallery and had been longing to get there.  I have just returned from Tasmania where Steve and I met up to enjoy a week exploring the Tarkine Wilderness, and then there was a window of opportunity to head up the Derwent River and have this Mona experience.  Because that is what it is.

I made the decision not to walk with the audio set on this first visit,  (I say first because the Gallery is ripe for multiple visits) but just walk around and engage with the artwork, find a few pieces that I loved and where I could anchor myself if I found the rest a little too much.  As it was there was no need for those anchors, but I certainly found a couple of pieces of artwork from which it was VERY hard to tear myself away.  You will see by these few photographs that it was in the Pavilion with Anselm Kiefer's rack of lead books and shattered glass that my heart leapt, and also with the 'wind drawings' which were made with a pen attached to apparatus which led outside and was moved in various degrees with the prevailing wind.  When I was watching initially the wind was fairly brisk and the pen was dancing happily across the page .... as I came out of the Kiefer Pavilion I could hear a really aggressive noise coming from the area of the wind drawings and the pen was being thrown violently over and off the page.  A very severe storm had rushed in, making it likely that the ferries could no longer get to the gallery and everyone was sheltering inside.  Luckily, the storm was short lived, remarkable to watch as it whipped up the river into squalls of white mane and the ferry was eventually able to pull up and take us back down the River.  

Not only was there some wonderful artwork in this Gallery, but the building itself is an absolutely beautiful work of art - worth many a visit on its own.  In hindsight I am rather sorry not to have walked around listening to an explanation of all the artwork as I am sure that one's appreciation of each piece is enhanced with knowledge, but I really enjoyed my quiet (not altogether!) wander around in my own little world, appreciating where I could, puzzling through where needed and totally absorbed with a couple of favourites.

(There was an article in The Australian on Monday about the demise of the 'comma'.  I wonder where that would have left my last sentence.)

I cannot give credit to those artists' who created this work, other than Anselm Kiefer of whose work I have been an enormous fan over the years, as none of the works are titled, nor any indication given of the artist beside the work.  Old work and New are all mixed together, juxtaposed and challenging.  A great experience.  Next time I will wander with the audio ....
































Wednesday, 22 January 2014

the indigenous leaf painter .....


















A decision to be made with this glorious piece of lead that I found somewhere here amidst our 'stuff'.
The sheet is about 45cms x 80cms.  I can see myself cutting it down into book pages to be worked into ...... I can see book covers for paper prepared and awaiting my marks ...

hmmmmmm.  It is quite scrumptious and sits on one of my desks at present waiting for me to make that decision.  Don't you love that though - not rushing in to making the decision.  Time enough.

















Friday, 17 January 2014

a wander through daydreams …..

My book is called 'daydreams' and I am not sure that I mentioned that in the last posting.  I have purposefully introduced many dreamlike elements which I think can represent the kind of dreams we have …. the embossings have been made to appear threadlike, twisted and entwined or more surreal and symbolic, sometimes very ordered and logical. I really like both the definitions below and hope a wander through my book would evoke just this kind of reverie.

Wikipedia defines daydreaming as ' a shot-termed detachment from one's immediate surroundings, during which a person's contact with reality is blurred and partially substituted by a visionary fantasy'.

The Oxford defines daydreams as 'a series of pleasant thoughts that distract one's attention from the present'.

One of the great joys of this collaboration with Fiona is that it pushes us in different directions and we grow from that and learn.  Oft times we pick up new techniques along the way which become part of our artistic arsenal or fabric, and other times we work with ideas for a while, find they don't sit well with us and so let them go.  The elements I use in this book are ones that I have used for many years, but bringing in the pencil details is a new thing for me and one I will explore a little further.  It gives me the opportunity to return from my origins in drawing, yet keeping the line work in the background still allows the mind to wander more freely around the page imagining dreams and stories for ourselves without them being prescribed.